I'm happy to see that my favorite New York-based Militant Librarian is back to regular blogging. Ever since I read her post about Julien Temple's documentary of Joe Strummer, I was wondering when the flick would open in Chicago. It amazes me that the movie biz still thinks you have to open in N.Y. or L.A. first, (to get the critical buzz going?) before they can venture into the desolate heartland in the middle of the country. By the way, for more background on the movie check out this article at Salon.
Anyway, yesterday, the Lovely Carla and I went to the Music Box Theatre to see, "The Future is Unwritten," and yes, well, it is essential viewing for anyone who wants to know more about an amazing rocker, a world-class character, a singer/songwriter who tried to wake people up to their own possibilities. I mean, Strummer was not a wide-eyed idealist, he was a complicated dude, a self-described bully as a child, who emerged as the voice of one of the great bands of the 80's. Please see "London Calling" and "Sandinista" for a grand overview of their work. Both are multi-disc excursions through punk, rock, reggae, etc. Vivid illustrations of why that band was once called "the only band that mattered."
Temple is quite the documentarian. He's also responsible for a great doc on the Sex Pistols, "The Filth and the Fury." So yes, there many things you will learn about Strummer: he was the child of a diplomat, he was a squatter, a hippie, a punk. He truly was committed to being an authentic voice. When the Clash began to drift into "RockStarism," he blew the whole thing up.
Strummer also did some great work with a much lower profile group - the Mescaleros. Let's let Joe have the last word. Check out his beautiful take on Bob Marley's "Redemption Song."
